Full review published in Cinema Sentries.
Benjamin Ree’s The Painter and The Thief is a musing, contemplative portraiture of juxtaposing individuals, that captures the gentle deliquesce of dissimilitude between them. The Norwegian documentary finds its fons et origo in the pilfering of Barbora Kysilkova’s – the eponymous painter – paintings, and swiftly molds into a vignette of her relationship with Karl-Bertil Nordland, the thief. The film is neither about unearthing the whereabouts of the stolen painting, nor about finding the burglars involved in the subject. It pivots around the idea of empathizing with the adversary, trying to learn and apprehend the latter, thereby attaining cognitive satisfaction. I believe the human tendency strives to…continue reading here.